This film represents gender and disability
Representation with media language- Gender


Another camera shot
used to show her gender is a LS shot of the girl from behind, this helps to
highlight her gender as it shows her body structure. You see her long hair (MES), another feature which
highlights her gender. The very small body structure suggests illness as she is
so thin. She also has her hand pressed up against the window which suggests she
has been locked away therefor highlighting isolation and she is not well looked
after.

There is also a female voice over used throughout, the
non-diegetic sound is of a girl talking and speaks of being trapped and inside
of her, this therefore highlights the actors gender as it speaks of the ‘womb’
only females have wombs and the voice can be either the child in the womb or
the female on camera state of mind. So the female voice over also helps to
express the gender.
Representation with media language- Disability:


The sense of the girl being trapped away suggests that she
is ill (disabled) and the ECU of her finger nails you see a faint silhouette of
a person outside the window, walking away, this therefore suggests she is
lonely and no one bothers with her, isolation and therefore there is something
wrong with her.
When the camera also
focuses on particular body parts (her spine) you see the very prominent bones
and this helps to suggest illness, as she is so thin and brittle.
Again the
non-diegetic sound helps to highlight her disability as it says ‘the moments it
pains her to move, I’m every pain, in every bone, in every joint’- this
therefore suggest illness and pain and highlights her disability.
The MES of the gown she is wearing helps to highlight
disability as it is like a hospital gown so it highlights she is in a hospital
and she is a patient, it helps to express that there is a problem.
Narrative
Narrative
- The audience are only seeing the plot of the narrative, not the story. Therefore the audience don't know why the female is there etc.
- There is no linear story, or chronology as the film is based in one room. However the film is circular as it begins and ends with her in the same room.
- Todorov's idea can't be used as there is no disruption etc, we just stay in one place
- It uses enigma codes as questions are raised and the audience why she is there and who's talking really, is something wrong or is it in her head
- There may be a sense of binary oppositions between good and evil, as the 'voice' can be seen as bad as it is sucking the life out of her and she's been locked away. But the good may be the female character but she can't escape the evil that is inside her
Genre
- The film has been categorised as a 'drama' as it doesn't really fit into a genre.
- However there may be elements of thriller as the audience want to know what is going on inside the female and why she is there, but again like 'two laps' there isn't a specific genre it can fit into.
- In both 'two laps' and 'womb' there seems to be a narrative voice over the top and both these films don't fit into genre's?
You only ever see the plot. The story is referred to by other mechanisms.
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